Sunday 22 October 2017

The Fortnightly Flag #09 Halloween Painting Autumn

The Fortnightly Flag
24th October 2017

It's that time of the year again when, in the northern hemisphere, the clocks go back and we are plunged into the ever-growing darkness of winter.

So a good time for a Festival of Light. Diwali, a Hindu festival that has just passed is growing in popularity in Britain, mainly I think because it chimes with our traditions being a celebration of the triumph of the forces of Light over the forces of darkness.

Which is what Halloween, our traditional festival is all about

 It derives from the Celtic Samhain which goes back who knows how many thousand years which was held either side of the autumn equinoxes. The central event is Halloween or the Eve of All Hallows.

Halloween has become highly commercialised after the American example. It used to be quite a modest affair but now it has become an important event for retailers with whole aisles dedicated to merchandise but without any corresponding display celebrating All Hallows or All Saints Day which is why I think many parents are grateful for Diwali.

In Druid belief light and goodness seem to have been believed to be the same substance, not such a daft idea because we don't know what light is but we can see its beneficial effects. The equinoxes in Northern Europe are when the most important religious celebrations take place because this is when the power of the sun waxes and wanes. Traditionally this is when there is more light/goodness coming into the world or leaving it. At the autumn equinoxes sunlight begins to decline and we have to create more light artificially with bonfires and candles or spiritually by seeking more goodness within ourselves by following the examples of the saints.

We can see this thought pattern at play in the sermons and letters of St Columbanus who was not a Roman Catholic but an Abbot in the Celtic Church so a Christian Druid.  Sometimes his ideas are not really Christian at all but they are distinctly Druid. He says, for instance, there is no such thing as evil only the absence of goodness (just as there is no such thing as darkness only the absence of Light).

His objection to the Roman Catholic decision to move the date of Easter in the late 6th century was argued from the Druid position that you could not hold a Festival of Light while darkness was still in the ascendancy so Easter had to be celebrated after the spring equinoxes and not before it. He wrote a book detailing why he believed this which he sent to Pope Gregory the Great but it has been lost.

It was for this reason that the great henges of Britain were built. They are not just agricultural calendars - there are cheaper and easier ways to create an astronomical clock - they are magnets for light and therefore goodness.

Halloween is a good opportunity to write a ghost story but I am not much good at them. The best I can offer is a young adult adventure The Ghostrider, a tale of highwaymen and bodysnatchers which is based on a true story that was told to me by my history teacher, Mrs V. Sweeney, who was a notable local historian. It was she who first got me interested in local history and history in general so I am mightily indebted to her.

PAINTING AUTUMN

This time of year is also when painters like to get out and about with sketches and watercolours to try and capture the blaze of colours that make the season such a joy to paint. You don't need any inspiration at this time of year, you just want to paint what's in front of you. This autumn has been rather disappointing. All the rain and strong winds (again last night) have brought down a lot of the leaves before they have changed colour. Fortunately last year was glorious and I spent the winter painting a Welsh Valley. By way of an experiment I did it all with a palette knife which gives the painting a lot of texture. See what you think.




Tuesday 10 October 2017

The Fortnightly Flag #08 The Scythians New Work

The Fortnightly Flag



10th October 2017

THE SCYTHIANS AT THE BRITISH MUSEUM

This Autumn's exhibition at the British Museum in collaboration with The Hermitage Museum in St Petersburg, which has provided most of the items on display, is The Scythians.

The Scythians were a nomadic people who flourished between 800 and 200 B.C. Originally from Southern Siberia they controlled a vast region from northern China to the Black Sea.

They had no written language so we rely on archaeology and Greek historians for the documentary record.

The only structures they left behind were graves marked by burial mounds. Graves could not be dug when the ground was frozen so bodies were mummified to preserve them until they could be buried. They were buried with everything they needed for the afterlife giving us a good picture of their material world.

Although as nomadic herdsmen their life appears quite simple, they were exceptionally fine goldsmiths and their grave goods include some of the finest gold jewellery I have ever seen. Belt buckles and studs are decorated with hunting scenes and writhing animals with an exuberant energy that charges across the millennia. They are exquisitely worked and well worth a visit.

The first discoveries in the 1770s were commandeered by Peter the Great who insisted all the artefacts were sent to St Petersburg where they formed the beginning of the Great collection that is now The Hermitage Museum. Peter insisted that drawings were made of all the finds, the start of an archaeological tradition, and many of the articles on display are accompanied by their drawings.

In the light of recent discoveries in Greek DNA, it is interesting to see items as far back as 700 B.C. indicating contact with early Greek colonies in Anatolia around the Black Sea. These trading links show that there was early contact between the Greeks and the people of the steppes as borne out by their share of Mycenaean and Minoan DNA.

WHERE DO I GET MY IDEAS FROM?

This is the first question everyone asks and for once I can answer it with my most recent work.


Regular readers will know I went earlier in the year to the Hokusai exhibition where I was very taken with a scroll depicting chrysanthemums painted in Rinpa style on a background of gold leaf. Gold leaf is a bit expensive and doesn't stick very well to canvas so I have given the traditional idea of naturalistic botanical studies -I also went to the Shirley Sherwood Gallery of Botanical Art in Kew Gardens you might remember - on a gold background by using modern iridescent paint and giving it an up-to-date twist with an abstract background. The hydrangea and ramble are out of my garden. It works a treat. With a light on it the picture really gleam. Not quite as sumptuous as gold leaf but a good substitute.