Thursday 28 July 2011

Lady in Grey Price Shock!

 

I checked yesterday on www.amazon.co.uk and was alarmed to discover that they had listed The Lady in Grey at a price of £40.91.  This seems a bit steep for a paperback novel.  The proper price should be £14.91.  I have contacted Amazon this morning and asked them to correct it so keen purchasers should hold back until they have amended it. The US$ Price of £19.99 on www.amazon.com is correct.

Tuesday 26 July 2011

Booker Prize Long List

 
Master Merryman now available in paperback from www.amazon.com

Man Booker Prize 2011 Long List

The Man Booker  Prize 2011 Longlist has been announced. The chosen books are as follows:

Julian Barnes             The Sense of an Ending
Sebastian Barry         On Canaan's Side
Carol Birch                Jamrach's Menagerie
Patrick deWitt           The Sisters Brothers
Esi Edugyan              Half Blood Blues
Yvette Edwards        A Cupboard full of Coats
Alan Hollinghurst     The Stranger's Child
Stephen Kelman       Pigeon English
Patrick McGuinness  The Last Hundred Days
A D Miller                 Snowdrops
Alison Pict                Far to Go
Jane Rogers               The Testament of Jessie Lamb
D J Taylor                 Derby Day

The titles were chosen by a panel of five judges chaired by author and former director-general of M15 Dame Stella Rimington.  A total of 138 books were considered.  The shortlist will be announced on Tuesday 6th September with the winner to be revealed at a ceremony on Tuesday 18th October.  Good luck to all.




Tuesday 19 July 2011

Master Merryman - new cover

Proofing of Master Merryman almost done so I can replace Kindle Edition today and send pdf to paperback publishers.  Only very few minor errors I am happy to say.  Here is the new cover which I think looks very handsome.

Monday 18 July 2011

London Jazz Awards 2011 Hotlist

The shortlist has been published of the nominations for the London Jazz Awards 2011.  The hotlist is as follows:

Julian Siegel
Submotion Orchestra
Gareth Lockrane Big Band
London Horns
Matt Roberts Big Band
Jason Yarde
Christine Tobin
Soweto Kinch
Sue Richardson
Rachel Musson
Peter King

Details of the awards and biogs of all the artists can be found on the London Festival Fringe website.  Good luck to all.

Sunday 17 July 2011

Culture Schlock

In all the recent scandals that have engulfed the newspapers I have noticed an unfortunate turn of phrase creeping into journalistic shorthand   - that is the inclination to ascribe everything bad that happens to a 'culture'.  Yesterday we had 'culture of collusion' (Guardian) and 'culture of phone-hacking' (Carl Bernstein in the Washington Post).  Then there are the old stand-bys 'culture of bullying', 'culture of secrecy' and that old chestnut 'culture of dependency' (ie everyone is on benefits).

Journalists will of course always coin shorthand expressions in order to get their copy down to a manageable length but I wonder if this particular literary habit is not becoming too destructive to be useful. 

In every case we are asked to believe that the 'culture' concerned consists of one negative influence.  This is hardly a culture which as defined by Tylor is "that complex whole which includes knowledge, belief, art, morals, law, custom and other capabilities acquired by man as a member of society." 

What the journalists are referring to is in fact a custom - the repetition of a certain mode of behaviour which is accepted as the norm within an organisation. A custom is simply a repetetive habit and can be changed.  Culture is much more deeply ingrained. Fundamental to the culture of the free press is that it is a symbol of progress and of the spread of a more open form of government.  Phone-hacking is only a very recent and relatively minor technical glitch.

Furthermore we have to ask ourselves is this a defence?  The inference is that the wrong-doer did wrong because everybody else was at it.  This is a denial of personal responsibility.  The lack of a corporate conscience is being used as an excuse to allow the individual to evade blame.  How can this be healthy?

Additionally the use of the term 'culture' when we mean collective responsibility means that a whole community is being tarred with the same brush.   During the expenses scandal all MPs were branded corrupt even though it turned out most of them had acted within the rules, however stretched those rules had become.  A very small number were found to have acted illegally and have suffered as a result, but the fall-out is that we are now daily being informed in the newspapers that all of our political representatives are corrupt.  I do not believe that to be true.  Some MPs may be corrupt but most of them are not.  The same is true of our police officers and our journalists. 

In recent days there has been a shift from blaming the individual, to blaming the 'culture', to blaming the institution itself although no institution can of itself be corrupt only the individuals working within it.

This may seem very nit-picking but the way in which we use language changes our perception of things.  If the use of the term 'culture' to indicate a whole community of professionals leads us to conclude that our most important social institutions are rotten to the core without, so far at any rate any solid evidence, then this is not good for our society as a whole.  There may have been wrong-doing and there may be a need for active reform but our parliament, our police force and our free press are not bad institutions.  On the whole they are a positive force for the good.






Saturday 16 July 2011

Bullying Bankers

I was, as I am sure a lot of people will have been, horrified this morning to read of Byron Fraser who was driven to attempted suicide because the bank, with whom he had taken out payment protection insurance, refused to pay out and as a result of the ensuing dispute have inflated his debt from around £15,000 to £250,000.  This is a bloody disgrace.

And I know better than most because I have been on the receiving end of the bullying tactics of a former bank (former in both senses as they now no longer exist) who sold me PPI on a loan of £3,000 back in the 1990s.  It was the bank's policy to deduct the whole amount of this insurance at the start of the loan and add the repayments on to the capital.  In the course of the loan I fell seriously ill and was unable to work so I did the natural thing in order to protect the loan repayments - I claimed on the insurance. The bank's response was to decline the claim and put me under intolerable pressure, at a time when I was in great pain and distress, to clear the loan. 

I was saved by the fact that General Accident, who were the insuring company, wrote to me directly informing me that there was not, and never had been any insurance in place.  Yet the figure of £900 was clearly showing on my statement as a deduction for the insurance policy.  So I went back to the bank and made a claim for compensation which was I was entitled to in law as they had not provided the insurance for which they had charged.

Then followed several years of constant harrassment and bullying, repeated letters and phone calls, even though the bank was aware I was ill and on my own.  Because I was so ill and worried that I was perhaps not handling the matter objectively I went to a solicitor and asked him to deal with it on my behalf.  Reassuringly he told me there was no problem as the law was clearly on my side and he would write to the bank and settle the matter. 

For six months the bank simply refused to answer his letters.  In the end I had to write to the Managing Director and insist that the bank responded to my solicitor.  Their response was to demand to come to my home so they could bully me in person - three of them against one - but when I responded by saying we could discuss it by all means but in my solicitor's office with him present they suddenly went away. 

Eventually with the threat of Court Action on our side the matter was settled but in the longer term as a result of all the attendant financial difficulties that this dispute caused I did lose my home and in the intervening years my financial position has never really recovered.  But I can sympathize with Mr Fraser because I was nearly driven to suicide by the constant pressure the bank put me under for a total debt of £3,000 which I had taken the trouble to insure.  Obviously I would not have taken on the debt if I had not believed the insurance would cover it.

I hope that Mr Fraser can win his case.  The whole business of payment protection insurance stinks. Not only were the insurance policies sold to people who would never be eligible to claim, those who claimed on quite legitimate grounds of sickness and unemployment have been subjected to outrageous bullying tactics by the banks who are supposed to have a care for their financial concerns.  In my case the insurance was sold but never even put in place with the insurance company.  Had I not claimed I would have paid £900 for nothing at all.  Who was going to get that I wonder?

What was most distressing in my case was the refusal of the bank to discuss the matter sensibly (their letters made no sense to either me or my solicitor) and settle the issue within the law.  The banks seem to have forgotten a basic principle - that banking is based on trust.  In the past two years they have not only lost everyone's money they have lost their one significant asset - the confidence of their customers.  They should remember all their other assets belong to somebody else.

Friday 15 July 2011

Jane Austen - not a great writer?

Following on from my blog yesterday I read in the paper this morning that Jane Austen's unfinished novel 'The Watsons' has been sold at auction for $1.6 million dollars.  The big question is was it worth it?  Does it demonstrate breath-taking originality and a ground-breaking leap forward in English literature?  Sadly no.  It is, or would have been if she'd got round to completing it, more of the same.

This is what is so disappointing about Jane Austen.  She writes very nicely but is she a great writer?  The answer I fear is no, she was not.  Her world is a very narrow one and although she was writing for quite a long time at one of the most revolutionary periods in British History you would not know it.  There is no artistic development.  The one original feature her writing had at the outset, her quirky sense of humour, disappears half way through leaving us with a picture of, I'm sorry to say, a rather uninteresting and undeveloped mind.  Compared with Elizabeth Gaskell and George Eliot,even Maria Edgeworth, style apart, her writing is rather infantile. 

It is true that towards the end of her life when money was an object she may have had good reason for sticking to her successful formula but great writers don't do that, they move on and innovate and that is something she never managed to do.  I have quite enjoyed reading Jane Austen but then I have quite enjoyed reading a lot of other 'lesser' writers too.  I have nothing against formula written novels and have written the odd one myself, but do I think her manuscript is worth $1.6m.  Well I wouldn't pay that for it even if I won the lottery.  It's a curiosity, nothing more. 

Thursday 14 July 2011

What do writers know about literature?

Doris Lessing once gave a lecture (not entirely tongue in cheek) in which she asserted that English Literature Departments are the natural enemy of the writer.  She was right of course.  They are.  What do writers know about literature?  Writers' heads are stuffed with the stuff of literature of course but you don't judge the comfiness of an armchair by the stuffing although if the quality of the stuffing is poor you will soon notice.  What do I know about writers anyway?

I know that Dylan Thomas used to put out beer bottles instead of milk bottles when he lived in Cwmdonkin in Swansea.  I know this because my friend's gran used to live opposite him and she told us.  Eye witness account see.  I also know he chose to live in one of the most beautiful places on God's earth, Laugharne.  Lucky chap.

I also know that Jane Austen declined to marry a chap called Harris Bigg-Wither.  In her day a married lady novelist was obliged to be known by her husband's name.  Would we ever have heard of Jane Austen if she had been credited as Mrs Bigg-Wither or been able to sit through an A-level course  without sniggering.  I think not.  Come to that would she have been able to hear herself referred to as the same without dissolving into tears of laughter.  It's a name that was bound to be fraught with difficulty for anyone with a sense of humour, a sense that Mr B.-W himself presumably lacked or he would have gone just with the Bigg or the Wither but never both.  Frankly I wonder if he ever existed at all.  I think she made him up.

The Devil and the Bag of Nails - Press Freedom



The Devil and the Bag of Nails (available exclusively on #kindle) is a novella about the activities of journalists, their underhand tactics and bitter rivalries and the importance of the scoop.  So far, so very topical except that the book is set in 1732 and is about the shenanigans that accompanied the passing of the first Gin Act. 

The story demonstrates both sides of the Press.  In the first place it shows that it has been divided on political lines since its inception, initially between Whig (labour/lib-dem) and Tory (conservatives and far right) and political rivalries are what gave the Press its lifeblood in the first place.  Expecting the papers to be politically neutral is depriving them of their birthright.  The power of the Murdoch press in the UK is not due to its size or importance but the fact that the press is so evenly divided the Murdoch papers (politically unaffiliated) are able to hold the balance.  Therefore, if they change sides as in the last election, it is likely to tip the balance and sway public opinion.  It was for this reason the last two governments were inclined to court their good opinion not because Rupert Murdoch owns an unfeasibly large proportion of the press because in fact he doesn't.

Secondly it reveals the importance of a free press in allowing political campaigns to be fought on paper instead of in the streets.  The hero of the story, the editor of "The Champion" (so successful it is published three times a week and sells a whopping 2000 copies) is a reformer. His rival, the slippery Sylvanus Urban whose name is not his own, has formerly been involved in The Mug Street Riots when political rivalries spilled onto the street and ended in the army opening fire on the rioters.  These men have discovered that if the pen is not necessarily mightier than the sword it is at least less destructive.  In the story it is, rather unusually, the pro-Government Champion that is campaigning on behalf of The Gin Act that will enforce licensing of gin shops which are causing disastrous levels of alcohol addiction among the urban poor depicted graphically in Hogarth's Gin Alley.

From its beginning Britain's free press has campaigned on behalf of the weak, poor and vulnerable.  It has campaigned for good causes and against corruption in high places.  Our current headlines are not new, nor should we be unduly shocked by them.

But we should be disturbed by the direction all this fuss is leading in.  The Press in Britain has not always been free.  It's roots lie in the 1670s when a government with absolutist tendencies was prepared to dissolve parliament at the first sign of dissent and deprive its citizens of any kind of political representation apart from riot and armed insurrection.  At the same time it imposed strict laws of censorship which effectively made it a capital offence to write or say anything against anybody.  Brave men flouted the law to print the truth and campaign vigorously for a parliamentary system that was fair, representative and incorruptible. 

It took quite a long time to get this and clearly we still have some way to go but these men, not yet journalists but followed by the cream of the profession, were heroes.  We still need such heroes.  This is no time to turn our backs on them.  I poke fun at the editors in the story mocking their pretensions and bitter rivalry but underlying the comedy there is a very important battle being fought with disastrous and dangerous consequences for the losers.  We may sometimes dismiss the papers as tomorrow's fish and chip wrappers but it is not all frivolous. A successful democratic system needs an informed electorate.  We may not always love our press but we need them.

The papers make a lot of enemies and just lately they have made a lot in parliament which is a pity because the history of the press and parliament go hand in hand.  MPs may be pretty mad (not entirely without justification) at the journalists but it would be a mistake for them to see this present crisis as an opportunity for revenge.  In the future they will need the press and the journalists will need them.  There are and will be many occasions when the people will look to them both to provide them with a voice. 

The public mood in contrast to the media and parliamentary frenzy is one of gentle resignation.  Yes we know our journalists are a dodgy lot.  Sometimes they go too far in search of a story and we would rather they went easy on people who do not elect to live and die by the media.  We raise our eyebrows at editors who claim they are not responsible for the activities of those they hire.  Surely such actions as illegal phone-hacking should never be undertaken without the sanction of the editor? If there is a public interest defence it is the editor who should decide this not some hapless reporter who is over-anxious to keep his job. 

It is very proper that there should be an inquiry into any criminal activities carried out on or behalf of journalists so that lines may be drawn making it clear what will and will not be regarded as in the public interest but journalists must be allowed to sail close to the wind.  Self-regulation may seem a contradiction in terms but in the end the press has a very firm and powerful regulator, to wit, you and me, Joe Public.  Let us remain the first resort in regulating the press just as the press is, on many occasions the last resort by which we may defend ourselves.

Upcoming Book Festivals


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23 September - 2 October 2011
The Daily Telegraph Bath Festival of Children's Literature
Ten day celebration of children's books and reading featuring some of the biggest and most creative names from the world of children's publishing
http://www.bathkidslitfest.co.uk

23 September - 2 October 2011
Wigtown Book Festival
Readings, lectures, debates and performances in Scotland's National Book T~own
http://www.wigtownbookfestival.com

6 - 9 October 2011
Beverley Literature Festival
An annual celebration of the arts and writing and reading in the historic East Yorkshire market town.
http://www.beverley-literature-festival.org



30 September - 16 October 2011
Ilkley Literature Festival
Features readings, discussions, performances, workshops, readers' events, literary walks and a children's and young people's weekend
http://www.ilkleyliteraturefestival.org.uk

6 - 16 October 2011
Birmingham Book Festival
Annual festival featuring appearances from leading contemporary authors plus workshops and a range of special events.
http://www.birminghambookfestival.org

7 - 16 October
The Times Cheltenham Literature Festival
Ten days of discussions, debates and happenings featuring a heady brew of the best writers, thinkers and agenda-setters
http://cheltenhamfestivals.com/literature

13-23 October 2011
Manchester Literature Festival
Celebrates the power of writing across all creative and technological media in a cutting-edge programme that aims to promote internationalism, diversity and independence
http://manchesterliteraturefestival.co.uk

14 -21 October 2011
Wells Festival of Literature
Talks on fiction, politics, poetry, travel, history, biography, science, philosophy and more in beautiful cathedral city.
http://www.wlitf.co.uk

Looks like September/October will be a busy time for book-lovers and writers.